Suspense

(Suspense | (CBS Network)

SUSPENSE – THE ULTIMATE RE-MASTERED DIGITAL SET

SUSPENSE 1959

1959 represents the conclusion of the Suspense shows that were produced in Hollywood and a return to New York production for the August 30th broadcast.

10474 #784 Don’t Call Me Mother 01/04/1959 w/ Agnes
Moorehead
#785 Night On Red Mountain 01/11/1959 w/Dick Crenna
10483 #786 Ride Down Cajon 01/18/1959 w/ William Bishop
#787 Four of a Kind 01/25/1959 w/ Elliott Reid
10484 #788 Return to Dust 02/01/1959 w/ Richard Beals
#789 Death Notice 02/08/1959 w/ Victor Jory
10485 #790 The Signalman 02/15/1959 w/ Ellen Drew
#791 Star Over Hong Kong 02/22/1959 w/ Marie
Wilson
10486 #792 The Waxwork 03/01/1959 w/ Herbert Marshall
#703 Madman of Manhatten 03/08/1959 w/ Myron
McCormick
10487 #794 Death in Box 234 03/15/1959 w/ Frank Lovejoy
#795 Script By Mark Brady 03/22/1959 w/ Marie
Windsor
10488 #795 John Barby and Son 03/29/1959 w/ John McIntyre (AFRS)
#797 Too Hot to Live 04/12/1959 w/ Van Heflin
10489 #798 See How He Runs 04/19/1959 w/ Jim Backus
#799 Deep, Deep is My Love 04/26/1959 w/ Lloyd Bridges
10503 #800 The Amateur 05/03/1959 w/ Jackie Cooper
#801 On a Country Road 05/10/1959 w/ Howard Duff,
Ida Lupino
10504 #802 Friend of Daddy’s 05/17/1959 w/ Frank Lovejoy (AFRS)
#803 Spoils For Victor 05/24/1959 w/ Robert Horton
10505 #804 The Man Who Would Be King 05/31/1959 w/ Dan O’Herlihy
#805 The Pit and the Pendulum 06/07/1959 w/ Raymond Burr (missing open & close)
10506 #806 Drive-In 06/14/1959 w/ Margaret Whiting
#807 Ivy is a Lovely Name For a Girl 06/21/1959 w/ Frank Lovejoy & Joan Banks

10507 #808 Analytical Hour 06/28/1959 w/ Jack Carson (AFRS)
#809 Blood is Thicker 07/05/1959 w/ Everett Sloane
10508 #810 Eyewitness 07/12/1959 w/ John Lund
#811 An Occurrence At Owl Creek Bridge 07/19/1959
w/ Vincent Price
10509 #812 Night Man 07/26/1959 w/ Marsha Hunt
#813 Red Cloud Mesa 08/02/1959 w/ Joseph Cotten
10510 #814 Everything Will Be Different 08/09/1959 w/ Cathy Lewis
#815 Like Man Somebody Dig Me 08/16/1959 w/Dennis Day
10511 #816 Headshrinker 08/23/1959 w/ Lawrence Dobkin Agnes Moorehead (last Hollywood)
#817 A Matter of Execution 08/30/1959 w/ Peter Lazer (show returns to NY)
10512 #818 After the Movies 09/06/1959 w/ Kevin McCarthy
#819 Death and the Escort 09/13/1959 w/ Bob Dryden, Espeth Eric
10513 #820 The Beetle and Mr Bottle 09/20/1959 w/ John Gibson
#821 Room 203 10/04/1959 w/ Ellen McCrea
10514 #822 Infanticide 10/11/1959 w/ Santos Ortega
#823 Crisis of Dirk Diamond 10/18/1959 w/ Bernard Grant
10524 #824 Easy Victim 10/25/1959 w/ Paul McGrath
#825 Re-Entry 11/01/1959 w/ Lyle Sudow
10525 #826 The Last Trip 11/08/1959 w/Ralph Bell, Connie Lemke
#827 The Companion 11/15/1959 w/ Virginia Payne
10526 #828 The Thimble 11/22/1959 w/ Whitfield Connor
#829 Leiningen Versus the Ants 11/29/1959 w/ Louis Van Rooten
10527 #830 Dynamite Run 12/06/1959 w/ Mason Adams
#831 Country of the Blind 12/13/1959 w/ Bernard Grant
10528 #832 A Korean Christmas Carol 12/20/1959 w/ Bill Lipton
#833 Moonlight Sail 12/27/1959 w/ Frank Thomas

SUSPENSE 1960

10559 #834 Zero Hour 01/03/1960 w/ John Gibson #835 The Long Night 01/10/1960 w/ Bill Adams, Sam Gray
10560 #836 The Time, the Place and the Death 01/17/1960 w/ Eric Dressler (AFRS)
#837 Turnabout 01/24/1960 w/ Leonard Stone
10561 #838 End of the Road 01/31/1960 w/ Bernard Grant
#839 The Mystery of Marie Roget 02/07/1960
w/ Jackson Beck
10562 #840 Sorry, Wrong Number 02/14/1960 w/ Agnes
Moorehead
#841 Crank Letter 02/21/1960 w/ Les Damon
10563 #842 Lt. Langer’s Last Collection 02/28/1960 w/ Murray Forbes, Jack Grimes
#843 Sleep Is For Children 03/06/1960 w/ Elspeth Eric
10564 #844 The Revolution 03/13/1960 w/ Phillip Meader,
Rosemary Rice
#845 Talk About Caruso 03/20/1960 w/ Mason Adams

10565 #846 A Coffin For Mr. Cash 03/27/1960 w/ Leon Janney
#847 A Shipment of Mute Fate 04/03/1960 w/ Bernard Grant
10566 #848 Two Horse Parlay 04/10/1960 w/ Lyle Sudro
#849 Tonight at 5:55 04/17/1960 w/ Luis VanRooten
10567 #850 One More Shot 04/24/1960 w/ Joseph Julian
#851 Bitter Grapes 05/01/1960 w/ Phillip Meader, Rita Lloyd
10568 #852 The Legend of Robbie 05/08/1960 w/ Larry Robinson
#853 Deadman’s Story 05/15/1960 w/ Kevin McCarthy
10576 #854 Out the Window 05/22/1960 w/ Santos Ortega
#855 Perfect Plan 05/29/1960 w/ George Petrie
10577 #856 Two Came Back 06/05/1960 w/ Robert Readick
#857 Elementals 06/12/1960 w/ Phillip Meader, Santos Ortega
10578 #858 Sixty Grand Missing 06/19/1960 w/ Bernard Grant
#859 The Daisy Chain 06/26/1960 w/ Joan Lorring
10579 #860 Bon Voyage 07/03/1960 w/ Robert Readick
#861 Report From a Dead Planet 07/10/1960 w/ Bill Mason
10580 #862 Memorial Bridge 07/17/1960 w/ Robert Dryden
#863 Cold Canvas 07/24/1960 w/ William Redfield, Ginger Jones
10581 #864 End Game 07/31/1960 w/ Santos Ortega
#865 The Big Dive 08/07/1960 w/ Leon Janney
10582 #866 Night Ferry to Paris 08/14/1960 w/ William Redfield
#867 Truck Stop 08/21/1960 w/ Mandel Kramer
10583 #868 Girl In the Powder Blue Jag 08/28/1960 w/ Rita Lloyd
#869 A Rest for Emily 09/04/1960 w/ Abby Lewis
10584 #870 Rakovsky’s Rubles 09/11/1960 w/ Santos Ortega
#871 A Statement of Fact 09/18/1960 w/ Rita Lloyd
10585 #872 Time On My Hands 09/25/1960 w/ Santos Ortega
#873 Ivy is a Lovely Name For a Girl 10/02/1960 w/Phillip Meader
10586 #874 Witness for Death 10/09/1960 w/ William Redfield
#875 Inferno 10/16/1960 w/ Mandel Kramer, EllenMcCrea
10587 #876 Nightman 10/23/1960 w/Ginger Jones
#877 The City That Was 10/30/1960 w/ Michael Kane

10608 #878 The Green Lorelei 11/06/1960 w/ John Gibson, Robert Readick
#879 The Man Who Murders People 11/13/1960 w/ Maurice Tarplin,
George Petrie
10609 #880 Night on Red Mountain 11/20/1960 w/ Mandel Kramer, Lawson Zerbe (same story and script as 09/15/1957
#881 Home is Where You Find It 11/27/1960 w/ Mandel Kramer,
William Redfield (temporary end of Suspense)
10610 #882 Call Me At Half Past 06/25/1961 w/ Bernard Grant, Elspeth Eric
#883 Night of the Storm 07/02/1961 w/ Rosemary Rice

All shows are Digitally Mastered PCM (.wav) files at 48k sample rate at 24 bits. They are delivered in a format that is compatible as described above.
Note there is variance in sound quality because some of the shows originate from airchecks (home recordings)

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